k a l e i d o s c o p i c

Adrienne Crossman is an independent media artist working and existing in Toronto's downtown core. In addition to her continuous work on various artistic endeavors Adrienne is currently working towards completing her thesis in Integrated Media at the Ontario College of Art and Design University. k a l e i d o s c o p i c is a documentation of the continuing development of the thesis project as it evolves and takes shape.


source:

"The limits of my language means the limits of my world."

Wittgenstein


source: youtube.com


use the internet wisely. the beautiful series of tubes that it is.

source: twitter.com

use the internet wisely. the beautiful series of tubes that it is.

self portrait - january 2012

self portrait - january 2012

past. present. future.

Recent/Current Exhibitons

Videosphere at Albright Knox in Buffalo, NY

General Idea Retrospective at AGO, Toronto, ON

Coming After at the Power Plant, Toronto, ON - Dec 10 to March 4, 2012

Will Munro - History, Glamour, Magic at AGYU, Toronto, ON - Jan 11 to March 11, 2012

Upcoming

Seripop: Landscapes events reproducted at Blackwood Gallery, UTM, Mississauga, ON - Jan 18 - March 4, 2012  (Opening Wed. Jan 18 5-9pm)

Aleesa Cohene Opening at Vtape, Torono, ON - Jan 21, 2012  2-5pm

Cinenova Opening Screening at The Department, 1389 Dundas St W, Toronto, ON - Feb 3, 2012

Cinenova Screenings and Discussion at FAG (Feminist Art Gallery), 25 Seaforth Ave, Toronto, On - Every Saturday in February, 2012  1-3pm, 3-5 pm



wiserbloodthananybody:

John Baldessari, Tips For Artists Who Want to Sell, ~1966-1968. Baldessari used professional sign painters to produce some of these works, which is ingenious. What a gesture.  

7 notes

source: wiserbloodthananybody

wiserbloodthananybody:

John Baldessari, Tips For Artists Who Want to Sell, ~1966-1968. Baldessari used professional sign painters to produce some of these works, which is ingenious. What a gesture.  

wiserbloodthananybody:

Bruce Nauman, detail from 100 Live and Die, 1984. Neon lettering on wall.

While text-based work is often cerebral and alienating, Nauman’s gaudy neon pieces had a real sense of humour that I always enjoyed.

102 notes

source: wiserbloodthananybody

wiserbloodthananybody:

Bruce Nauman, detail from 100 Live and Die, 1984. Neon lettering on wall.
While text-based work is often cerebral and alienating, Nauman’s gaudy neon pieces had a real sense of humour that I always enjoyed.

emc data bend - #2

Filed in: experimentation

2 notes

source: vimeo.com


Hyper Geography by Joe Hamilton

1 note

source: vimeo.com